 Arlington Literary Journal an ejournal also known as ArLiJo, is located in Arlington, Virginia and is sponsored by Gival Press. The intent of ArLiJo is to feature a variety of authors/poets/artists from around the globe whose work provokes readers to contemplate issues, etc. The work chosen promotes understanding and sensitivity across borders, even if initially the work may cause one to take a double-take. Staff Editor-in-Chief, Robert L. Giron Special 2020 Poetry Month Bilingual (Spanish/English) Edition, edited by Luis Alberto Ambroggio Special 2019 Women in Translation Month Editor, Katherine E. Young Access each issue by clicking on the Issue No. to the left of this homepage (scroll downward). Please note that publication in ArLiJo will be by invitation only, starting August 1, 2019. Any work published shall remain the property of the author/poet/artist and for any previously published work to appear the author/poet/artist must still retain the copyright of the work. Please note that ArLiJo is an ejournal. Payment for publication is a book from a selection of books listed below which have been published by Gival Press. Books Available to ArLiJo Contributors NONFICTION: Sexy Liberal! Of Me I Sing by Stephanie Miller FICTION: Dream of Another America by Tyler McMahon Ghost Horse by Thomas H. McNeely Mayhem: Three Lives of a Woman by Elizabeth Harris Show Up, Look Good by Mark Wisniewski That Demon Life by Lowell Mick White Twelve Rivers of the Body by Elizabeth Oness The Cannibal of Guadalajara by David Winner The Best of Gival Press Short Stories ed. by Robert L. Giron The Second Act by Tim Brown Barrow’s Point by Robert Schirmer POETRY: Poetic Voices Without Borders ed by Robert L. Giron On the Altar of Greece by Donna J. Gelagotis Lee Poetic Voices Without Borders 2 ed by Robert L. Giron Songs for the Spirit by Robert L. Giron On the Tongue by Jeff Mann Bones Washed With Wine by Jeff Mann The Great Canopy by Paula Goldman Sweet to Burn by Beverly Burch Protection by Gregg Shapiro Honey by Richard Carr 12 Sonnets for the Zodiac by John Gosslee Adamah: Poème by Celine Zins |
Jee Leong Koh Featured on ArLiJo.com For Lonely Lying on top of you, my arms and knees support my body even as I grope for how much of me your frame will carry. You hold me closer, you’re not heavy. So I lean a ladder into you, step hard up, and clamber to the top window to hear you play Chopin’s Etude in C Minor. I enter through the window, drop into your room. I sit down quietly. You come to a passage hazardous and slow like footsteps on decaying floorboards of an old house. The pedal mutes the piano. Then I become afraid you will not be playing, beside me, with such quiet hope forever, for nightfall, for lonely, and what that will do to me. I tiptoe to the window while stroking your forehead, lean back into myself, walk away below. From Equal to the Earth (Bench Press, 2009) © by Jee Leong Koh. Reprinted by permission of Bench Press. Approaching Thirtyseven After leaving my exboyfriend sleeping in his bed, I think about turning thirtyseven in ten days, and about being alone the next thirtyseven years. There are some advantages. Give myself to poetry wholeheartedly, undistracted by love’s demands. Give myself to the unchanging arms of casual sex. Back home, watching my favorite porn video, the blond college freshman begging for the fist, I take all of ten minutes. What to do with the other fifty minutes to the hour, and the hours after that? My books turn their backs on me. I clean the common bathroom not cleaned for weeks, but the grinning toilet bowl is a loser’s trophy. I’m craving dully for the next hit, the bang of sex or the wham of sounds transposing into an image. In the interval between sex and poetry lies death. The freshman intuits that. Which is why he begs for the gloved fist to enter him again and again. From Equal to the Earth (Bench Press, 2009) © by Jee Leong Koh. Reprinted by permission of Bench Press. Spinoza on Love In Amsterdam, that curious strand, a man of trading blood was banned for thinking it was very odd that man should worship man in God, and not the God of love’s demand. Demand of me, my Love, demand I give up all to understand the ordinary and the odd in Amsterdam. Devoting all to understand what stayed or traded on that strand, he thought, therefore I am—how odd!— the intellectual love of God, the love that binds, what once was banned in Amsterdam. From Equal to the Earth (Bench Press, 2009 )© by Jee Leong Koh. Reprinted by permission of Bench Press. Montauk Together we watched the wild desolate seascape in the movie about the spotless mind. Montauk, we know today, is neither wild nor desolate: not the lake harbor in the shape of a human head, where motorboats march in a column to marinas, and fancy restaurants serve seafood kept fresh by the sea— orange red lobster in the raw, ovenroasted fluke, sweet mahi mahi, lemony mussels, wild salmon; not the Village, where souvenir vendors sell Montauk tanktops and, knowing summer’s term, Montauk sweatshirts, where in the barrackstyle beach motels bivouac surf soldiers darkened by the experience of sun, where the Atlantic, ancient, absolvent, adjacent to the one main drag, drowns the Sturm und Drang of adulterous couples, estranged couples, gay couples, and Indian families finding another sacred fount; not wild, not desolate, not so at the Lighthouse, the first savior of ships erected in these States, with its museum of maritime wrecks, coastal maps— sounding the measurements of safe passage to sea and back, or journey beside land’s jagged boundary— and of trust, the watchtower’s trinitarian team, Lighthouse Keeper, First Assistant, Second Assistant, twice a day spiraling the stairway to the top to light the blinking lamp behind its Fresno lens one hour before sunset, and to turn the eye off one hour after sunrise, reverse but regular as the sun; no, not even here at this high headland overlooking Block Island Sound and the Ocean, Ocean and Sound, heard here, at once Other and One, where names man gives to nature cease to matter much to the sailboat striding the waves, to the moon, to stars, and on the rocky ledge round the lighthouse’s root we both know, my love, who is no longer my love, we’re standing at the very end of Long Island but, no, neither wild nor desolate is the edge. From Equal to the Earth (Bench Press, 2009) © by Jee Leong Koh. Reprinted by permission of Bench Press. Biography: Jee Leong Koh has recently had his first book of poems Equal to the Earth (Bench Press, 2009) published. His poems have appeared in Best New Poets (University of Virginia Press) and Best Gay Poetry (A Midsummer Night's Press), and in PN Review, among other journals. Born in Singapore, he now lives in New York City, and blogs at Song of a Reformed Headhunter. Jeff Walt Featured inn ArLiJo.com Issue No. 29. I Walk My Neighborhood at Night The mutt my ex left me has broken free from the back yard fence. Now I’m scavenging the streets, still in my work boots, greasy clothes, the paper mill’s stench that hangs on me no matter how much soap I use. “Lucky,” I shout, as if the mongrel might come running, jump up, lick my face; as if I have something to offer besides a chain around his neck and leftover Spaghetti-Os. I stumble through dark yards— windows glow, boxes of private lives lit: families finishing dinner, clearing tables, watching TV. A boombox screeches “Cocaine”; a man yells at a woman, hands thrashing in the air. I remember being struck by love. What would I say if I slammed in there? What words would change anything? My neighbor rattles home in his car, calls his six kids little sons-of-bitches—their small, vague bodies like shadows, skipping circles and clapping lightning bugs dead between their hands. As a boy, I wanted to kill everything smaller than me: beetles sprayed with AquaNet, butterflies smacked from the bright air, wings dipped in motor oil. In those moments, I was certain I would become a man who could conquer anything. I yell down a dead end street for a dog I know doesn’t love me; a pet afraid of my voice hard as the two-by-four I’ve whacked against his rib cage, days and days chained to himself. First appeared in Mangrove Review, Fall 2005. Copyright (c) 2009 by Jeff Walt. Mama’s Blues I sit here at the kitchen table playin’ cards with myself. Sit here half the night talkin’ to myself. Maybe whiskey's all that’s kept me in good health. Lord help me ‘cause I know I’m a drunk. Lord help me ‘cause I want to get drunk. I miss singin’ honky-tonk songs with my good friend Skunk. Men tell me I’m fine, but I ain’t believin’ that shit. Tell me I’m fine and I still feel like shit. Say they want me in their kitchen, but I’ll never get hitched. I want The Lone Star with its jukebox’s blue light. I want my old stool and a fine man offering me a light. I need JD and lots of Walkin’ After Midnight. I been like a dog tied inches from the bone of pleasure. I been good for weeks—now I need to dig up some treasure! I want a night that will howl and bark forever. Might go downtown and shop for a little noise. Might go for just an hour and try on a little noise. Could have just one—maybe buy a round for the boys. If I go, I’ll promise to be back by midnight. Lord, I promise I’ll be back by midnight. I need a little somethin’ to make me feel right. I grab a ten, my Kools, reach for the door. I grab my jacket and keys and run out the door. Two shots later I’m swirling on the dance floor. Maybe I’ll go round and round like this till the day I die. Maybe I’ll go round and round praying to die. Round and round drinking myself alive. First appeared as Miss Kitty’s Blues in Poetic Voices Without Borders (Gival Press, 2005). Copyright (c) 2009 by Jeff Walt. Santa When he walks into the stink of cigarette smoke and greasy food, nobody looks up from their dirty mugs of beer. Christmas lights halo the room. He orders tequila shots, rips off the fake beard, slaps it on the bar like hard-earned money. “It’s A Wonderful Life” on TV—the scene where George gets his world back, runs yelling down a snowy street. “Bullshit,” Santa hollers. The bartender in a tight T-shirt, MARY written in red across his chest, raises his hand and jerks three disapproving snaps. Behind the bar a picture of Jeff Stryker in the manger surrounded by plastic donkeys and wise men wearing thongs blinks off and on. All day Santa’s been dying to escape his cardboard house at the mall, pull the pillow from under his jacket that whining kids punched for hours. Hours dreaming of walking away from his hard, merciless chair where he sat praying over and over for the drinks he’s downing now as he wishes for a buck for every scum who promised to be with him forever. His last shot catches the light of the Nativity scene, glows like a miniature star in his hand as he throws his head back quickly, pours the flickering inside. First appeared in the Queer Issue of The Cream City Review in 2005. Copyright (c) 2009 by Jeff Walt. Seduced I’m smoking on the stoop again, although I vowed to give it up, to stop wasting my days lusting after the sinewy strength of glistening men without shirts shooting hoops across the street. A cigarette lounging between my lips, the first deep hit, smoke uncurling in my throat. My heart stained yellow from yearning. So much craving in life: these guys in baggy jeans and gym shorts dunking, charging, cocks flopping, and this sweet release of streamers, O’s, tiny tornados, a desire I can’t put down or live without. I don’t want to come back from slow-burning that fills me completely as peace. The radio says there is poison in everything— even the violets outside my window. I could drop dead any minute from radon slithering silently from the basement. So I give in, continue to light up, charmed by romantic greed, knowing the statistics and myths as each slim stick steals a minute off my life. I bless this half pack of Marlboros, the guys’ sweat that I want to lick from their slick, sweet bodies, these warm cement steps and the chips of scattered sun buried in the sidewalk, kids batting rocks in the street, cats crying for food, and this adrenaline rush: knowing it’s legal to sit in public on a stoop, and kill yourself slowly as you surrender to love. First appeared in Harpur Palate, January 2004. Copyright (c) 2009 by Jeff Walt. Biography: Jeff Walt’s chapbook, Vows, was recently awarded First Place in the 2009 Gertrude Press Chapbook Contest and will be published in 2010. His work has appeared in various journals including Connecticut Review, The Ledge, The Comstock Review, The Sun, and Runes. Poems are forthcoming in the anthology, The Light in Ordinary Things (Fearless Books, 2009). Visit: www.jeffwalt.com. Visit this author's homepage at http://www.jeffwalt.com
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